Subversion ist Schnellbeton
with Hans Bernhard: Subversion ist Schnellbeton. Zur Ambivalenz des Subversiven in Medienproduktionen, in Thomas Ernst, Patricia Gozalbez Cantó, Sebastian Richter, Nadja Sennewald, Julia Tieke (eds),
SUBversionen. Zum Verhältnis von Politik und Ästhetik in der Gegenwart. Bielefeld: transcript, 2008, pp. 63-81 .
The book is available at Transcript.
Read the article or download as pdf.
Beyond Engineering
with Bernhard Rieder: Beyond Engineering. Software Design as Bridge over the Culture/Technology Dichotomy, in: Pieter E. Vermaas, Peter Kroes, Andrew Light, and Steven A. Moore (eds.), Philosophy and Design: From Engineering to Architecture, Dordrecht: Springer, 2008, pp. 152-164.
Get the book at Springer.
Read our article (.pdf)
RTFM! Teach-Yourself Culture in Open Source Software Projects
with Patrick Kranzlmüller, in Hug, Theo (ed.): Didactics of Microlearning, Berlin, New York: Waxmann, 2007, pp. 324-240.
Spielen jenseits der Gebrauchsanweisung
Partizipation als Output des Konsums softwarebasierter Produkte; in Neitzel, Britta; Rolf, Nohr (eds): Das Spiel mit dem Medium. Partizipation - Immersion - Interaktion, Marburg: Schüren, 2006, pp. 296-310.
Praca Domova
in Magazyn Sztuki, Vol 2/05; Nr. 32/33, Special Edition Data-Browser, edited by Geoff Cox and Joasia Krysa; the original article appeared as "Homework: The Extension of the culture industry" in DATA-Browser Vol. 1.
Will the revolution be open sourced? How Open Source travels through society.
with Marianne van den Boomen, in: Wynants, Marleen; Cornelis, Jan (Eds.): How Open Is the Future? Economic, Social and Cultural Scenarios inspired by Free & Open Source Software, Brussel: VUB Press, 2005, pp. 31-68
Download the article (pdf)
Order the book: VUB Press.
The entire book is available online: How Open is the Future? (pdf)
Homework: The Extension of the Culture Industry
in: Cox, Geoff et al. (Eds): DATA Browser 01, Economising Culture; published by autonomedia 2004, pp 191-199
For a preliminary outline of the book, please check the DATA browser website: DATA browser 01.
Read a review at Fibreculture.
Read the article.
Download as .pdf.
Made by Users
How Users Improve Things, Provide Innovation and Change Our Idea of Culture, in Goriunova, Olga; Shulgin, Alexei (Ed.): Read_Me, Software Art and Cultures</b>, Aarhus: Aarhus University Press, 2004, (pp. 62-77)
The book is available at Aarhus University Press.
Read a review of the book at Leonardo.
Download the article Made by Users.
Kulturindustrie als Hausarbeit
Kulturindustrie als Hausarbeit, in De-Bug, Nr. 65, Nov. 2002
A first draft of my thoughts on the impact of the production output of users on the cultural industries. This article is one of three articles [d]vision members were publishing in De-Bug while preparing the [d]vision 2002 festival digitalBIEDERMEIER. read the article at De-Bug and Bernhard Rieder: Zu Hause im Netz, Peter Steinberger: Biedermeier re/vived
Reality Rulez!
Reality Rulez! Die Bedeutung des Dokumentarischen in der visuellen Mediengestaltung im Kontext der Digitalisierung.
With my master thesis or "Diplomarbeit" I tried to explore how our understanding of the term documentary is changing in the context of an increasing diffusion of digital images and computer technology. I wanted to find out where we are going to locate the document, the evidence and the proof of "truth" in digital age.
I graduated with this master thesis from the University of Vienna in October 2002.
The thesis is written in german, but at least there is an english abstract available.
Der 80er Jahre Kern der Sache (Das ist halt Geschichtsschreibung)
with Bernhard Rieder, in Sinn Haft Nr. 10/ Mai 2001
This article describes the 80's roots of the new economy and how the whiz kids are now starting to write their own history. We wrote this article while preparing the [d]vision 2001 festival electronic kindergarten which celebrated the computer technology from the 80ies and reflected the subcultures of computer users.
Read the english translation or the german article at Sinn-Haft
Reviews
Siegfried Zielinski: Archäologie der Medien. Zur Tiefenzeit des technischen Hörens und Sehens. Reinbek bei Hamburg: Rowohlt 2002.
Read at theaterwissenschaft.at
Joel Black: The Reality Effect. Film, Culture and the Graphic Imperative. New York, London: Routledge 2002.
Read at theaterwissenschaft.at
Ursula von Keitz und Kay Hoffmann, Hg.: Die Einübung des dokumentarischen Blicks. Fiction Film und Non Fiction Film zwischen Wahrheitsanspruch und expressiver Sachlichkeit 1895 - 1945. Marburg: Schüren 2001.
Read at theaterwissenschaft.at
