realtime generation
[d]vision, the Vienna International Festival for Digital Culture is back with a new festival. Realtime generation is entirely dedicated to the demoscene and realtime animated visuals. Since last year the dvisionaries and their new director Regina Webhofer have been preparing this year's festival with a series of smaller events to present demos and outstanding coders to a broader audience outside the dynamic demo scene sphere. In close collaboration with the scene, [d]vision has set up a full scale festival with an exhibition, demo screenings, lectures, and panel discussions. And the popular nerd venue Werkzeug H hosts a daily demo lounge. After this packed program the festival features a demo party on which scene members from all over Europe compete for coding the best demo.
The festival takes place from July 4 to July 20 at Museumsquartier Vienna, Werkzeug H,and Metalab.
Program and information at [d]vision.
DemosceneTV
DEAF 07
The forthcoming Dutch Electronic Art Festival is emphasizing "messy, sloppy interactions: interaction whose outcome is malleable and not definitive." Sounds good so far, and a look upon the program shows
some most interesting events scheduled: The Evening of Knowbotic Research promises a Black Benz Race, a semi-fictional race in the migrational space between Switzerland and Albania. It deals with creating and using local communities to stimulate migration from one country into the other.
The seminar Not Everything is Interaction revisits the concepts of interactivity. The exhibition is assembled around concepts of interactivity in media art and presenting contemporary and almost classical works of the young field of media art. These are only a few examples from the comprehensive festival program. The festival will take place at the Las Palmas in Rotterdam.
DEAF, Interact Or Die! April 9 - April 14
The Evening of Knowbotic Research, Friday April 13, 20:00-22:00
Not Everything is Interaction, Thursday April 12, 15:00-18:00
Parliaments of Art
The city of Vienna is following a new approach in funding art. Artists in the field of netart will not apply for grants at a city’s department but dispose them among the community themselves. A software based voting system called Mana will be installed for delegating votes and credits within the netart community’s participants. NetzNetz, the platform of the Viennese netartists was founded in opposition to Public Netbase that was obtaining the majority of the city’s funding for new media art projects.
The start up of the new funding model is accompanied by the conference Parliaments of Art.
Read my contribution Making Sense of Discourse.
Inside the Magic Bubble - Media Festival
Master students of Utrecht University (Institute for Media en Re/presentation) are organizing a media festival (May 26th-27th).
Inside the Magic Bubble refers to the idea of an immersion into virtual worlds. The festival is presenting student projects on lifelike experiences in virtual reality, the vanishing of interfaces and the blurring between real life and virtual reality.
Inside the Magic Bubble
Festival Inside the Magic Bubble will take place on:
Thursday the 26th and Friday the 27th of May 2005
at Studio T - Kromme Nieuwegracht 20 - Utrecht
Entrance fee: 2,50 Euro
Op 26 en 27 mei 2005 zullen nieuwe media projecten van studenten uit heel Nederland eenmalig tentoongesteld worden op het festival Inside the Magic Bubble. Tijdens dit festival, georganiseerd door negen studenten van de Universiteit Utrecht, zal het begrip immersie onder de loep genomen worden. De vraag die centraal staat tijdens dit event is hoe nieuwe media onze ideeën over immersie hebben beïnvloed. Een vraag waarop de bezoeker spelenderwijs zelf een antwoord zal formuleren. Meer is er te zien op op de website.
Read_Me Festival 04
Software Art & Cultures Conference at the 2004 Read_Me Festival in Aarhus
(22.8. – 25.8.2004)
The Read_Me Festival is connecting the theorizing of software art and cultures in a conference with hands on practice in the Dorkbot City Camp where artists and programmers are presenting their work. The festival’s main theme People doing strange things with software describes already that creative usage of software is a cultural practice. I went to Aarhus to experience the synergies of the festival’s interdisciplinary perspective and presented a paper on using technology as a cultural practice. In fact this was a new version of the paper i had presented in Bilbao in April. I added some comments on the discursive function of mods.
The activities at the festival and the camp are documented in a weblog.
A review on the conference and the festival by Peter Luining at nettime.
A review in Italian on neural.it.


